Malayalam Love Poem 2

It was first published in 1955 in the Onam special number of Kerala Kaumudi. Composed in the Dravida metre in mellifluent language with a dramatic plot and true-to-life characters it was an instant hit with readers. It was brought out in book form in 1957 and was well received by readers.
The theme of the poem is the struggle of two poor working class lovers – Rani and Naanu – living on the shores of the Ashtamudi lake – for realizing their dream of a better life. The popularity of the poem attracted Kadhaprasangam and Vilupattu artistes who presented it successfully on many stages. In 2005, the twenty fifth edition of the poem was brought out as the Golden jubilee edition.
Rani is a popular narrative poem in Malayalam written by Thirunalloor Karunakaran (1924–2006).

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Photo sharing is not confined to the web and personal computers, but is also possible from portable devices such as camera phones, using applications that can automatically transfer photos as you take them, to photo sharing sites and photoblogs, either directly or via MMS. Some cameras now come equipped with wireless networking and similar sharing functionality themselves.
Desktop photo management applications may include their own photo-sharing features or integration with sites for uploading images to them. There are also desktop applications whose sole function is sharing photos, generally using peer-to-peer networking. Basic photo sharing functionality can be found in applications that allow you to email photos, for example by dragging and dropping them into pre-designed templates.
In return for a fee, subscription-based photo sharing sites offer their services without the distraction of advertisements or promotions for prints and gifts. They may also have other enhancements over free services, such as guarantees regarding the online availability of photos, more storage space, the ability for non-account holders to download full-size, original versions of photos, and tools for backing up photos. Some offer user photographs for sale, splitting the proceeds with the photographer, while others may use a disclaimer to reserve the right to use or sell the photos without giving the photographer royalties or notice.
Photo sharing sites usually propose several ways to classify images. Most sites propose at least a taxonomy where images can be grouped within a directory-like structure in so-called "galleries". Some sites also allow users to classify images using tags to build a folksonomy. Depending on the restrictions on the set of users allowed to tag a single document and the set of tags available to describe the document, one speaks about narrow and broad folksonomies. A folksonomy is broad when there is no restriction on the set of taggers and available tags. When there are limitations, the folksonomy is called narrow. Another mechanism is coupling taxonomy and folksonomy, where tags associated to galleries and artists are cascaded to the galleries and artist's pictures. Broad taxonomies have interesting properties like the power law.
A variation on the peer-to-peer model is peer-to-browser, whereby images are shared on one PC with the use of a local (on the host computer) software service (much like peer-to-peer) but made available to the viewer through a standard web browser. Technically speaking, this may still be described as peer-to-peer (with the second peer being a web browser) but it is characteristically different as it assumes no need to download peer software for the viewer. Photos are accessed by regular URLs that standard web browsers understand natively without any further software required. Consequently, photos shared in this way are accessible not only to users who have downloaded the correct peer software (compatible with the software in use by the sharer).

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Meera jasmine

Ananda in his quest wants to stay on and know more about this mysterious girl. When Chenni comes to him in the night and reveals what she is, he is very shocked. He tries to enlighten her saying that her faith is all rubbish. It is just a myth. He says that God cannot be offered what is not pure and touched. She is made to understand that whatever she has been doing all these years is no different from what a sex worker does. True she may not be doing it for a living but what she has been doing in her blind faith is no different. Then what is the answer. He says that she should lead a normal life. Get married and face life like any other person. But who will come forward in all the villages around to marry her knowing her past. Chenni is prepared to go with Ananda if he can accept her. But Ananda is not bold enough to take the plunge. He succeeded in getting her out of her blind faith but is unable to give her an alternative. Next morning Chenni is missing. A search is on for her. Ultimately she is found dead on the steps of a temple pond. The entire village community looks at Ananda as the guilty one forgetting their own guilt of keeping Chenni an out cast. The mad soldier seems to be the only person who has been sympathetic to Chenni. Unfortunately it is too late. The police arrive and declare that the whole episode as a case of suicide and there is no foul play. But to Ananda it is he who is the cause for Chenni’s death. He accepts his guilt. He was not daring enough to give her a new life.
The movie is based on novel "Nanu Konda Hudugi" ("The Girl I Killed") by Ajjampur Sitaram ('Ananda').Story starts with Ananda, the protagonist specializes in photographing ancient monuments and writing about various rituals and customs that have gone unquestioned. During one of his sojourns in some remote area in Karnataka he comes across the strange case of a village girl ‘Chenni’ by name, daughter of the village Patel and gets obsessed by her very unusual life. In trying to explore more information about her he discovers that she is a victim of a blind faith. Being a ‘Basavi’ she has to treat any guest to her house as the arrival of God himself. Thus she offers him all the comforts of life and serves him in every possible way. This comes as a big shock to Ananda who belongs to an urban milieu. In spite of her seductive ways he resists from exploiting her. He is warned by a mad soldier, a victim of the most unpredictable happenings during a war not to have anything to do with this unfortunate girl and not to stay in that cursed house. The soldier was taken for dead in a bitter battle. His young and lonely wife remarries. But after many months on an obscure day the soldier returns to find his wife pregnant and married to another man. He losses his mental equilibrium and roams about the village in his desert camouflage. He keeps warning people who come to stay in the Patel’s house. He is very critical of the foolish Patel who sacrificed his only daughter at the altar of the village Deity. Epidemics and wars are similar in nature. In an epidemic a few die and many survive. The epidemic disappears. In a war two neighbors fight some die serving the country, some enemies also die for the sake of their home land. War comes to an end and people live in peace. Ananda does not take he mad soldier’s warning seriously. He wants him not to have anything to do with this unfortunate girl.
Ijjodu is a forthcoming Kannada film that stars National Award Winning Actress, Meera Jasmine and Anirudh in the lead roles. It is directed by National Award Winning Director, Padma Shri M. S. Sathyu. Kannada actors Srivatsa, Nagkiran and Arundhati Jathakara stars in supporting roles. The film is a story of a young photo journalist’s brief encounter with a girl who was made a ‘Basavi’ at the altar of the village deity, to save people who were hit by a devastating epidemic. ‘Basavi’ is a cult very similar to that of the ‘Devdasi’. At present the ‘Devdasies’ have become regular sex workers because of the social stigma and more so for making a living. Lots of them are victims HIV+.

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